“A standout of the night was Zachary Grant, who plays William, the kid who flies off the deep end after being rejected by a girl. Grant's effortless transition into pure maniacal insanity from a charming English schoolboy was reminiscent of Patrick Bateman in American Psycho. He can turn on the scary like a light switch.” - George Brietigam, Broadway World (Punk Rock at Odyssey Theatre Ensemble)

“Grant honors both James’ interior brokenness and his resilience. The protagonist’s recollections are hardly neutral. But a somber note of regret in Grant’s portrayal suggests that the story is more emotionally complicated than it seems and that there’s plenty of guilt to go around.” - Charles Mcnulty, LA Times (Punk Rock at Odyssey Theatre Ensemble)

“Grant’s stunning William is equal parts bravado and self-doubt and the more time we spend with William, the more mesmerizing Grant becomes. Punk Rock is Los Angeles theater at its most electrifying.” - Stage Scene (Punk Rock at Odyssey Theatre Ensemble)

“William (Zachary Grant in a tour-de-force performance) - Just suffice it to say the last 15 minutes as played out by Zachary Grant as the out-of-control William are enough to earn him a much-deserved Ovation Award next year.” - Culver City News (Punk Rock at Odyssey Theatre Ensemble)

“As William, the fuse and powder keg, Zachary Grant masterfully provides the needed tension to carry both the story and the audience to the foreordained conclusion. However, as the mutant is malformed by murderous intent it is the muted pyrotechnics in his alteration of explosion to implosion that is spellbinding to watch.” - Ernest Kearney (Punk Rock at Odyssey Theatre Ensemble)

“Grant honors both James’ interior brokenness and his resilience. The protagonist’s recollections are hardly neutral. But a somber note of regret in Grant’s portrayal suggests that the story is more emotionally complicated than it seems and that there’s plenty of guilt to go around.” - Charles Mcnulty, LA Times (Little Theatre at Rogue Machine)

“Zachary Grant’s James easily channels the loopy innocence of the young James. But the heart of his performance lies in wordless moments when we watch the play of thoughts and emotions cross his face.” - Showmag, Michael Van Duzer (Little Theatre at Rogue Machine)